Embedded Files
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Mann Eater (TBA) - Pre-Production
Role: Editor, Script Supervisor
Logline:
On a road trip to say a final goodbye to his dying sister, a college student is derailed by his girlfriend's obsessive jealousy. In this gothic found-footage story, the horror is closer to home than he thought.
About My Involvement:
I am serving as both Editor and Script Supervisor on Mann Eater. Currently in pre-production, I am collaborating with the creative team to develop the editorial approach while supporting continuity and story planning ahead of production.
Ed's Diner (2027) - Pre-Production
Role: Editor, Script Supervisor, VFX Artist
Logline:
In 1960s Texas, an interracial couple finds refuge in a Black-owned diner where love is welcomed despite the hatred outside its doors. After racial violence threatens to destroy everything they've built, their community comes together to rebuild the diner into a lasting symbol of resilience, acceptance, and hope.
About My Involvement:
I am serving as the Editor, Script Supervisor, and VFX Artist on *Ed's Diner*. During production, I will oversee continuity, document script revisions, and collaborate closely with the director to support the editorial process from set through post-production. As Editor, I will shape the film's emotional pacing and historical narrative, while my visual effects work will focus on seamlessly integrating digital elements that support the story and period setting.
American Romantic (2026) - Post-Production
Role: Editor, Script Supervisor
Logline:
Set in a Vietnam built on an LED wall and stage, a fragile romance between a Vietnamese woman and a Filipino-American tourist becomes a meditation on desire, power, and the fantasies we project onto each other.
About My Involvement:
I am serving as both Editor and Script Supervisor on American Romantic. As the film moves through post-production, I am shaping the story in the edit while working closely with the director to refine pacing, performance, and emotional rhythm. My work as Script Supervisor also helped maintain continuity throughout production, including scenes performed in both English and Vietnamese.
Miss America (2026) - Post-Production
Role: Editor, Script Supervisor
Logline:
A psychological coming-of-age story about assimilation, longing, and the cost of wanting to be seen: a Chinese teenager desperately pursues acceptance and the American dream through assimilation, only to discover that burning away her identity leaves nothing but ashes.
About My Involvement:
I am serving as both Editor and Script Supervisor on Miss America. As the film moves through post-production, I am shaping the emotional arc and pacing while collaborating closely with the director to refine each scene. My work as Script Supervisor also helped maintain continuity throughout production, including scenes performed in both English and Mandarin.
Raising Ricky (2026) - Submitting to Film Festivals
Role: Editor, Script Supervisor, VFX Artist
Logline:
A dutiful career man loses everything he has worked for, but after ending his life, he is given a choice: move on to the afterlife or return with his rebellious teenage self as his guide.
About My Involvement:
I served as the Editor, Script Supervisor, and VFX Artist on Raising Ricky. Throughout post-production, I crafted the film's pacing and emotional progression while collaborating closely with the director to refine the story. I also completed visual effects work, including creating a two-shot that seamlessly allowed a single actor to interact with himself, helping bring one of the film's central concepts to life. The film is currently being submitted to film festivals.
Miami Monk (2026) - Submitting to Film Festivals
Role: Editor, Script Supervisor, VFX Artist
Logline:
After a wild Pride night out and a quiet night of prayer, flamboyant Miami stripper David and repressed 16th-century monk Gareth wake up in each other's bodies and must figure out if it's divine punishment, demonic possession, or just a very bad trip.
About My Involvement:
I served as the Editor, Script Supervisor, and VFX Artist on Miami Monk. Throughout post-production, I collaborated closely with the director to shape the film's comedic timing, character-driven storytelling, and pacing. I also completed visual effects work to support the body-swap narrative while maintaining continuity on set as Script Supervisor. The film is currently being submitted to film festivals.
Trying (2025) - Completed
Role: Editor, Script Supervisor, Colorist
Logline:
A nervous young man plans to tell his girlfriend he loves her over a birthday dinner, but a disastrous first experience with sushi, mounting anxiety, and an unfortunate encounter with wasabi threaten to ruin the moment.
About My Involvement:
I served as the Editor, Script Supervisor, and Colorist on Trying. In post-production, I shaped the film's comedic pacing and emotional payoff while collaborating with the director to balance awkward humor with heartfelt moments. As Script Supervisor, I maintained continuity throughout production, and I completed the final color grade to establish a polished, cohesive look for the finished film.
Needle in My Heart (2025) - Completed
Role: Editor, Script Supervisor, Colorist
Logline:
As the woman he loves prepares to leave for a new life across the country, a single father struggles to choose between holding on to his family and letting go, only to find unexpected closure months later in one final keepsake.
About My Involvement:
I served as the Editor, Script Supervisor, and Colorist on Needle in My Heart. In post-production, I worked closely with the director to shape the film's emotional rhythm, balancing quiet moments of reflection with the weight of the characters' decisions. As Script Supervisor, I maintained continuity throughout production, and I completed the final color grade to reinforce the film's intimate, nostalgic atmosphere.
Red Riot (2025) - Completed
Role: Editor, Colorist
Logline:
Convinced their roommate's strange behavior is just a bad case of PMS, three oblivious men attempt to "save" her before learning the real problem is far more sinister.
About My Involvement:
I served as the Editor and Colorist on Red Riot. In post-production, I worked closely with the director to build the film's fast-paced comedic rhythm, using timing and reaction shots to heighten the escalating misunderstandings. I also completed the final color grade, giving the film a polished look while supporting its energetic, comedic tone.
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