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I’m currently in post-production on four TV pilots, each with its own tone, pace, and visual style. We filmed in January, will picture lock in March, and are set to deliver in May, moving through a fast, tightly coordinated pipeline. I’m editing the pilots in Avid Media Composer and handling color grading in DaVinci Resolve. Across these projects, I’ve worn many hats—editor, assistant editor, script supervisor, DIT, and colorist—shaping everything from on-set continuity and data management to story rhythm and final look.
On Miami Monk and Raising Ricky, I serve as the head editor and on-set script supervisor, shaping the cut while also protecting continuity and performance so the edit stays closely aligned with what we captured on set.
On Rory’s Guide to Falling in Love with a Superhero, I am the assistant editor, supporting the lead editor, Karson Case, with organizing media, building assemblies, and maintaining a smooth, efficient post-production workflow.
For The Health Inspector, I worked as the on‑set DIT, assistant editor, and colorist, managing media from capture through delivery while helping shape both the technical quality and the final look of the pilot.
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